My history in show business spans over a quarter of a century, and I have seen many people in the industry struggle with coming out, only to find much more success after they finally did.

It's always considered bad taste to comment on a tragedy right when it's happening, but I love when something is considered too soon to talk about because then you can blast past that social censorship to get into something real.

Let's not hate ourselves. We are all we have. We cannot change anything until we accept that. I cannot do this alone. I don't love myself enough to do it alone, but I can do it if we have a pact, if I am keeping up my end of the bargain. I have been a longtime perpetrator of hate crimes against myself, and I am turning myself in. I have had enough.

It's completely unsexy [Yello, "Oh Yeah" 1985]. It does capture that weird '80s materialism and "We're gonna get it on now" vibe. But it's a very juvenile approach. It also became a weird signal for comedy, in the sense that when you heard the song, it meant comedy was happening on screen. I feel like this song was probably done in a couple of minutes in a studio.

I'd like to put across the notion that bad taste is actually good for you.

I do love the road, because for me, the road is very comfortable, and it's very much what I've always wanted to do. It's one of the most appealing things about comedy for me, so I do really have an affection for it.

My philosophy is, "murder the rapist in your mind so you stop killing yourself." I've seen, in my lifetime, that sexual abuse has turned into self-abuse. When I kill the rapist inside of me, I will stop killing myself.