I think comedy is an angry art form; it's an outsider art form. Anger and comedy are really connected. If I'm angry about something I will try to think about something funny about it to lighten the load of the anger and cope with the anger.

If you say you're not a feminist, you're almost denying your own existence.

As a child, I had a lot of older gay men taking care of me. There's a trust there. I feel like little girls and old gay men together - there's a safety. They make a shield from all of the bad things they've experienced in the world. They make a home together. There are no songs about that. I don't know if you remember, but there was a show a long time ago called 'Love, Sidney.'

All the songs on Yankee Hotel Foxtrot are the encapsulation of heterosexual love. I have different records for gay sex.

It's completely unsexy [Yello, "Oh Yeah" 1985]. It does capture that weird '80s materialism and "We're gonna get it on now" vibe. But it's a very juvenile approach. It also became a weird signal for comedy, in the sense that when you heard the song, it meant comedy was happening on screen. I feel like this song was probably done in a couple of minutes in a studio.

When we're talking about feminism, I get sort of lost in the argument. Because as a woman of color, I don't know where I belong in this argument. Where do I say, 'I would be happy to have less money'? How do you fight for your rights when I'm super-grateful to be here at all?

Humanity is a natural foil for inhumanity, and humanity is what will ultimately keep us going when all else has failed.