If you really care about children then why would you want to keep families from adopting them?
Margaret ChoI love heavily tattooed women. I imagine their lives are filled with sensuality and excess, madness and generosity, impulsive natures and fights. They look like they have endured much pain and sadness, yet have the ability to transcend all of it by documenting it on the body
Margaret ChoI use my work as catharsis. That's often the best thing that we can do, is to allow ourselves to rage because it's so rare that we get to. We're told to forgive - I don't want to! I don't want to forgive my abuser! I don't care to and I don't like that assumption that forgiveness makes me a better person. It's not authentic to me, my feelings and what I need. But everyone has their own way.
Margaret ChoAs a child, I had a lot of older gay men taking care of me. There's a trust there. I feel like little girls and old gay men together - there's a safety. They make a shield from all of the bad things they've experienced in the world. They make a home together. There are no songs about that. I don't know if you remember, but there was a show a long time ago called 'Love, Sidney.'
Margaret ChoLike the Birth Of Venus, the song [Yello "oh, Yeah"] denotes the birth of the bro. The song just reminds me of bros looking out over lowered Ray-Bans. It birthed a negative sexual revolution. I was going to a lot of bondage clubs at the time and they did play this song. The song I associate more is that horrible Enigma song with the Gregorian chant. There's something good buried in that song and I might not hate it as much if I hadn't been a sex worker.
Margaret Cho