If you're doing something in the city, then hopefully you're speaking to somebody who has an open mind who is walking by. And you're also speaking to a community of other people who do similar types of work. I like to think that the outdoor community is broad and able and open for anybody to see.

I believe there need to be women visual in our every day landscape, working hard and doing their own thing, whether you like it or not, whether it's acceptable or not...I especially hope to inspire young women because often I feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change that, change the emphasis of what's important when looking at a woman.

Having a background in doing printmaking and letterpress, I think that I became very interested in images that were flat and graphic. And my painting still today is very flat...American craft is like that too - the painting is very flat. And also the painting that you see on the storefronts, handmade signs, tend to be very flat. That's probably my biggest influence.

On any day in the Mission in San Francisco, you can see a hand-painted sign that is kind of funky, and maybe that person, if they had money, would prefer to have had a neon sign. But I don't prefer that. I think it's beautiful, what they did and that they did it themselves. That's what I find beautiful.

From a distance it might look straight, but when you get close up, you can always see the line waver. And I think that's where the beauty is.

I do everything by hand... Even if I'm doing really big letters and I spend a lot of time going over the line and over the line and trying to make it straight, I'll never be able to make it straight. From a distance it might look straight, but when you get close up, you can always see the line waver. And I think that's where the beauty is.

My hand will always be imperfect because it's human… I think that's where the beauty is.