Wave particle duality is a core feature of our world. Or rather, we should say, it is a core feature of our mathematical descriptions of our world. But what is critical to note here is that, however ambiguous our images, the universe itself remains whole and is manifestly not fracturing into schizophrenic shards. It is this tantalizing wholeness and the thing itself that drives physicists onward like an eternally beckoning light that seems so teasingly near. It is always out of reach.

This is what I call the "cosmological problem" of science. Science has the instrumental function that has given us computers and so on, but its cosmological function is to give us a picture of the world we inhabit as human beings, and on that level it's failing a vast number of people.

Computers are very powerful tools, but in the simulated world of the computer, everything has to be calculated.

Seeing and playing with physical objects can enable access to symbolic ideas. When I studied physics and math at university it was all done through equations and textbooks whereas artists go to art school and start making stuff; they fling paint at the walls, they dance and bash things together with giant bits of metal. Our society has come to think of science as being a very abstractified thing, and art as being a materialized thing.

Mathematicians are proud of the fact that, generally, they do their work with a piece of chalk and a blackboard. They value hand-done proofs above all else. A big question in mathematics today is whether or not computational proofs are legitimate. Some mathematicians won't accept computational proofs and insist that a real proof must be done by the human hand and mind, using equations.

It turns out that hyperbolic structures are very common in nature, and the place where lots of people encounter them is coral reefs. Sea slugs, and a lot of other organisms with frilly forms, are biological manifestations of hyperbolic geometry, which is also found in the structure of lettuce leaves and kales, and some species of cactus.

For ten years, I wrote regular columns about science for women's magazines, and to my knowledge I'm the only person in the world who can say that. This has no kudos in either the science-writing world or the academic world, but it's one of the most challenging things I've ever done. It's much harder to write about cosmology for a magazine like Vogue than for the New York Times, which I've also written for, because you have to imagine that on the page opposite there'll be an advertisement for eyeliner, or an article about the latest trends in skirt length.