This is what I call the "cosmological problem" of science. Science has the instrumental function that has given us computers and so on, but its cosmological function is to give us a picture of the world we inhabit as human beings, and on that level it's failing a vast number of people.

Wave particle duality is a core feature of our world. Or rather, we should say, it is a core feature of our mathematical descriptions of our world. But what is critical to note here is that, however ambiguous our images, the universe itself remains whole and is manifestly not fracturing into schizophrenic shards. It is this tantalizing wholeness and the thing itself that drives physicists onward like an eternally beckoning light that seems so teasingly near. It is always out of reach.

When I was a physics major in the late 1970s, my very few fellow female students and I had high hopes that women would soon stand equal with men in science. But progress has proved slower than many of us imagined.

One of the great sources of employment for people with Ph.D.s in geometry is the animation industry.

Science is not just for an elite few. Science's vision of the universe is becoming increasingly inaccessible. That doesn't mean it's wrong. On some levels, general relativity is right, because we have to take its calculations into account to produce accurate GPS systems. Instrumentally, it's correct to something like twenty decimal places. But epistemologically and psychologically, it is not available to most of our population.

Female physicists, astronomers and mathematicians are up against more than 2,000 years of convention that has long portrayed these fields as inherently male.

Seeing and playing with physical objects can enable access to symbolic ideas. When I studied physics and math at university it was all done through equations and textbooks whereas artists go to art school and start making stuff; they fling paint at the walls, they dance and bash things together with giant bits of metal. Our society has come to think of science as being a very abstractified thing, and art as being a materialized thing.