Almost all major scientific projects today are huge collaborations, yet we still have this public obsession with the idea of the individual scientific genius. One of my goals as a science communicator is to celebrate the collaborative dimensions of science, which I think will be critical for facing the ecological and resource challenges ahead. In a sense, we are all corals now.

I have an abiding interest in how ordinary people produce knowledge, and what it means for individuals to know the world. I thought I'd be a theoretical physicist because I love physicists' views of the world - I find general relativity and quantum theory thrilling - but I have always felt uneasy with the idea of an Ultimate Truth. One of the functions of science is to help us instrumentally; it helps us to build things like microchips and GPS satellites. But another function of science in the modern world is to help us feel "at home in the universe".

All gradients of reality, all existential distinctions, have finally been annihilated.

For ten years, I wrote regular columns about science for women's magazines, and to my knowledge I'm the only person in the world who can say that. This has no kudos in either the science-writing world or the academic world, but it's one of the most challenging things I've ever done. It's much harder to write about cosmology for a magazine like Vogue than for the New York Times, which I've also written for, because you have to imagine that on the page opposite there'll be an advertisement for eyeliner, or an article about the latest trends in skirt length.

Nature doesn't feel compelled to stick to a mathematically precise algorithm; in fact, nature probably can't stick to an algorithm.

Seeing and playing with physical objects can enable access to symbolic ideas. When I studied physics and math at university it was all done through equations and textbooks whereas artists go to art school and start making stuff; they fling paint at the walls, they dance and bash things together with giant bits of metal. Our society has come to think of science as being a very abstractified thing, and art as being a materialized thing.

When you're in a room with twenty people who've all got the True Theory of the universe, it's difficult to know what to do. And the paradox is that so much important science is now being done by huge teams. With Higgs boson, for example, it's estimated there were around ten thousand scientists and engineers involved in building the machines that made this discovery possible.