I meet you. I remember you. Who are you? You’re destroying me. You’re good for me. How could I know this city was tailor-made for love? How could I know you fit my body like a glove? I like you. How unlikely. I like you. How slow all of a sudden. How sweet. You cannot know. You’re destroying me. You’re good for me. You’re destroying me. You’re good for me. I have time. Please, devour me. Deform me to the point of ugliness. Why not you? Why not you in this city and in this night, so like other cities and other nights you can hardly tell the difference? I beg of you.

When you wept it was just over yourself and not because of the marvelous impossibility of reaching her through the difference that separates you.

Our mothers always remain the strangest, craziest people we've ever met.

It’s not that you have to achieve anything, it’s that you have to get away from where you are.

She had lived her early years as though she were waiting for something she might, but never did, become.

The outrage was on the scale of God. My younger brother was immortal and they hadn't noticed. Immortality had been concealed in my brother's body while he was alive, and we hadn't noticed that it dwelt there. Now my brother's body was dead, and immortality with it. ... And the error, the outrage, filled the whole universe.

A woman's work, from the time she gets up to the time she goes to bed, is as hard as a day at war, worse than a man's working day. ... To men, women's work was like the rain-bringing clouds, or the rain itself. The task involved was carried out every day as regularly as sleep. So men were happy - men in the Middle Ages, men at the time of the Revolution, and men in 1986: everything in the garden was lovely.