I was really conflicted. I had always planned to help the world. Instead, I was going to become an actress? That seemed like such a selfish thing to do.

People tend to think when you're on dramatic films, that it's all so heavy, but it's really not when you're working with great actors.

I was always anti-marriage. I didn't understand monogamy. I couldn't figure out how that could last. And then I met Bryn and I started to understand the beauty of constancy and history and change and going on the roller coaster with someone - of having a partner in life.

I never liked the whole idea of [creating your own] background, if it's not pertinent, where the character lived as a child, and who I was and how I was. That never helped me in any way, so I don't even do that.

There is always one person on the set who has a lot of anxiety, an actor who is really intense and has to stay in character and holds himself away from the rest of us.

It's not like I prepare anymore, or have to think about my son being dead to get emotional. If you're working with a good actor and you're reacting off of them and you have a good script, it just comes organically. It's just stored in your body. So that emotion will just be brought out of you, as opposed to trying to force it.

When I had my son, it was the worst day and the best day of my life because I realized that I will never love someone so much, but I will never be able to keep him from the lessons that he's meant to learn, in this lifetime.