I feel like, in a way, after doing it for so many years, you learn a certain concentration and how to turn it on and off.

My mother told me when I was a kid that each time we get to what feels like the edge of a cliff, we have two choices: to turn around and run, or to jump. I have learned over time to jump - and though it is scary, I know somewhere inside me that I will be caught.

I was always anti-marriage. I didn't understand monogamy. I couldn't figure out how that could last. And then I met Bryn and I started to understand the beauty of constancy and history and change and going on the roller coaster with someone - of having a partner in life.

When I had my son, it was the worst day and the best day of my life because I realized that I will never love someone so much, but I will never be able to keep him from the lessons that he's meant to learn, in this lifetime.

I think a lot of people become actors because they have a great reservoir and repertoire of many different emotions they felt over their lives. It's like having a toolbox, and you go down into the toolbox and choose one or two of those that you need for a particular scenario, or something that comes up in a line.

Life goes so fast, and there is so much to do. But the moments that have enriched my life the most came when I slowed down and connected with the people I care about.

I think most women these days can understand me juggling a career with being a mom because most of us do. I think I'm luckier than most because most women work nine to five and don't see their kids. I work six months a year or eight months a year.