It's not like I prepare anymore, or have to think about my son being dead to get emotional. If you're working with a good actor and you're reacting off of them and you have a good script, it just comes organically. It's just stored in your body. So that emotion will just be brought out of you, as opposed to trying to force it.

Acting and emotionally expressing myself, seeing the world and being a mom are just all very exciting to me. I'm a real curious person.

People are kinda still a bit puritanical, perhaps. People don't expect a woman to feel so open, in a way, about her sexuality onscreen, and they probably find it fascinating. I think more actors are doing it and being open to that and not being afraid of it, so it's becoming less of a thing.

Since I first started acting, I never separated a character's sexuality from what they eat for breakfast. I just think it's sort of silly. If I can be a part of helping to overcome that puritanical thing in our culture, so be it. I'm happy about it.

I'm interested in people who have lived, who are searching and questioning.

I don't really have a method or a technical process. I studied [Sanford] Meisner, and that's the thing that really works for me. That sort of instinctual, in the moment, what the other actors do, working off them and letting the story unfold, as opposed to having an idea of what the story should be.

I think my work as an actress is less about a director and more about a person. You feel you can trust them instinctively. I met my best friends that way, I knew in a second.