After decades spent in rewrite rooms surrounded by other shouting writers, I discovered that I work best alone. I like being in charge of my time, working out the problems according to my own rhythms and being able to nap. That's a big one, the napping on demand!

Mad About You fit my sensibility the most of any show that I worked on, and as a result, it was really fun. It felt like a very natural fit.

Maggie Shipstead's prose is so graceful and muscular, so dazzling, so sure-handed and fearless, that at times I had to remind myself to breathe. Astonish Me is a treasure of small surprises.

I felt so full of love for everything. But at the same time, I felt so hung out there to dry, like nobody could ever understand. I felt so alone in this world, and so loved at the same time.

You come out into the world after a season of TV and you're just swearing and saying mean things to people and they're looking at you like, Who are you? And oh yeah, you think, I have to reacclimate to the way people genuinely treat each other.

Breezy, sophisticated, hilarious, rude and aching with sweetness: LOVE, NINA might be the most charming book I've ever read.

Your mission statement says Galer Street is based on global "connectitude." (You people don't just think outside the box, you think outside the dictionary!)