The back windows looked out over the fields, then the Atlantic, maybe a hundred yards away. Actually, I'm just making that bit up. I had no idea how far away the sea was. Only men could do things like that. "Half a mile." "Fifty yards." Giving directions, that sort of thing. I could look at a woman and say "Thirty-six C." Or "Let's try it in the next size up." But I had no idea how far away Tim's sea was except that I wouldn't want to walk to it in high heels.

There's no doubt that relationships do suffer when circumstances change profoundly.

I like hoodies. They just make me feel safe.

I used to write in bed, starting when I woke up. I believe that creative work comes from our subconscious mind, so I try to keep the gap between sleep and writing as minimal as possible.

... I am more of an ambler. I once overheard my old boss in Dublin describe me as very "hello trees, hello flowers." It was intended as an insult and it fulfilled its brief; I was insulted. I had little interest in greeting trees and flowers but nor did I treat life as a treadmill, on which it was vital to keep fleeing forward in order to avoid being sucked off the back and out of the game.

I used to feel defensive when people would say, 'Yes, but your books have happy endings', as if that made them worthless, or unrealistic. Some people do get happy endings, even if it's only for a while. I would rather never be published again than write a downbeat ending.

I sighed. "What is life but fleeting moments of happiness strung together on necklace of despair?