I have no one else involved in the writing process. I would hate to feel that I was going into the studio with something wishy-washy and not done. It's because I'm a control freak, so I want to know that everything is sorted and what's going to come out the other end, obviously with a bit of leeway.

I feel like the inspiration is that I've managed to change my songwriting over the past couple of years and also production styles. I could get a sense of what really worked well, and I think this sound developed naturally. That's what happens when you're doing it all the time and changing as a person. Some songs were really dark, and others were more psychedelic. It was useful to have that to figure out exactly what I wanted to do.

Just because you're a solo artist playing guitar, that doesn't make it folk. People get a bit confused about these things. There's so many more aspects to my music than that. Earlier on in my career, people tried to push me in that direction. They kind of wanted me to be a folky princess, which was just never gonna happen. I don't understand quite why it is, but it is very irritating that it's still happening.

I'm self-critical but also, I'm not a very modest person. I'm self-critical in the lead-up to showing anyone anything. You know how people say they write, like, 30 songs and then they'll pick the ones they're going to put on the record? I don't ever get to that point because I self-edit so harshly at the beginning. I would never let anyone hear something that I wasn't happy with. But then once I've made it, I'm also not going to turn around and go, "Oh, yeah, I don't know..." If I'm putting it out, anything creative that I do, I think that it's good, otherwise I wouldn't put it out.

I have no one else involved in the writing process. I would hate to feel that I was going into the studio with something wishy-washy and not done. It's because I'm a control freak, so I want to know that everything is sorted and what's going to come out the other end, obviously with a bit of leeway.

There are moments on songs like "Violet" where it's still shrouded in metaphor, but it's quite, I don't know, explicit. And then there are songs like "Boyfriend," where obviously it's straight up, very, very simple. It's fun to play around with words; I really enjoy doing that, so I don't think I'll ever stop, but it's also been nice to have messages on there that I can say flat out and that people appreciate.

The music I'm playing now is the music I always imagined myself playing when I was a kid. It's been nice to use my instrument a bit more - play the guitar in a more fun way with riffs and stuff like that - rather than just propping up a whole song with a guitar and my vocals. There's so much more energy in the crowd as well; they've been bouncing around and having fun, and it's nice to feel like you're a part of something in a room rather than just performing for a crowd.