There's days when I'd love everybody to relize that things have gone too far, and we need to be born again...but there are other days when I think the world deserves to be destroyed. Why should I help anybody? Everybody's stepped on me my whole life.

I always felt, rather than play by the mainstream standards, we've always done what we do and the mainstream has finally decided to, like that but, we've only gotten more extreme so, the band hasn't got more commercial, it's just that more people understand where we're coming from so more people are in to it.

There's a big difference, I discovered, between wanting to die and not wanting to live. When you want to die, you at least have a goal. When you don't want to live, you're really just empty. That's the point I was at before I was able to make.

I think everybody's got a presentation. Everybody looks a certain way because they want to convey a certain image. You look a certain way because you want people to listen to you in a certain way.

Mechanical Animals for me documents the repair of my emotions, the repair of my soul, and this record does deal with God in a different way. It deals with me finding God in art, and in music. I think there's more spirituality in art than you could find in a church

I am truly amazed that after all this time, religious groups still need to attack entertainment and use these tragedies as a pitiful excuse for their own self-serving publicity. In response to their protests, I will provide a show where I balance my songs with a wholesome Bible reading. This way, fans will not only hear my so-called, violent point of view, but we can also examine the virtues of wonderful 'Christian' stories of disease, murder, adultery, suicide and child sacrifice. Now that seems like 'entertainment' to me.

The idea of Marilyn Manson has been brewing in my head, one form or another, since I was about 12 years old at a Christian high school in Canton, Ohio.