I traveled into the future to get back in time.

I don't think that my lyrics are over-laced with profanity, because I myself don't speak using a lot of profanity in normal conversation. But I think when you're making something aggressive and you need to get a point across, if you're angry, sometimes profanity is necessary. It's better to use a curse word than to hurt somebody else, I find.

I've found a woman I can relate to. That's something - and I don't even feel sappy saying it - that, if anyone has that, don't lose it, because it's probably the only thing that you can ever really find any satisfaction from.

If things are too perfect, people are always so afraid that it's going to change, so they ruin it themselves.

In any story, the villain is the catalyst. The hero's not a person who will bend the rules or show the cracks in his armor. He's one-dimensional intentionally, but the villain is the person who owns up to what he is and stands by it.

I did have a Huggy Beardoll. One of his legs fell off. That empty leg became a place where, when we were doing a lot of drugs on tour at one point, we would store the drugs in his empty leg. That's where the term 'dancing with the one-legged man' on Smells Like Children came from, because whenever anyone was doing drugs we called it the 'dance of the one-legged man.' That became a ritualistic thing that was funny for awhile.

When you're in a relationship, if you just break it down to regular terms, people are attracted to something, and that's what they want you to be, and that's what you should just be, and for me, it's very simple - if I meet a girl and I say, 'This is what I like about you. Just continue. Every day'