Most people are more comfortable with what is familiar. I’ve spent my life doing the opposite.
When I first had a video camera to document a performance, it was in Sweden and I remember it was really crucial for me.
Typically, the performance has a story - a beginning, the crescendo and the end.
I believe that life is shorter; that is why we have to make experience longer.
In my work I have complete control, but about my life, I don't want to.
I believe stories are very important to all performances. The life story of the performer shapes their work, and the life stories of the audience alter how they receive the work, what they read into the performer.