Typically, the performance has a story - a beginning, the crescendo and the end.

Through performance, I found the possibility of establishing a dialogue with the audience through an exchange of energy, which tended to transform the energy itself. I could not produce a single work without the presence of the audience, because the audience gave me the energy to be able, through a specific action, to assimilate it and return it, to create a genuine field of energy.

If you look at the lives of artists, sitting in nature, painting, having the freedom. I think it's over. I think we're living in such a difficult moment of human development. Artists have more responsibility than ever before.

In every culture, [there are those] shamans or medicine men who endured incredible physical pain, because it's a door opening to the subconsciousness. And the way we can actually control the pain -- it's how to control everything. This is the key.

I hate studio. For me, studio is a trap to overproduce and repeat yourself. It is a habit that leads to art pollution.

I didn't get paid for performances most of my life. If I did, I would be billionaire now, and I'm not.

I think communication starts when words are not present at all ... I think we put so much emphasis on language, actually silence is so much more important.