I have found that long durational art is really the key to changing consciousness. On such a deep level. Not just the performer, but the one looking at it.

I hate repetition. Even when I am home and have to buy milk, I go a different way each time to avoid having a habit of anything. Habits are really bad. So to me it is really important to live in what I call the spaces in-between. Bus stations, trains, taxis or waiting rooms in airports are the best places because you are open to destiny, you are open to everything and anything can happen.

I didn't give any instruction to the video, because it was a new medium. I didn't know what to tell him; it was so young. I did the piece and immediately after the piece, I wanted to see the material.

You create a friendship on a level that you've never done before. The basic kind of experience is to basically give love to total strangers all the time, and that really changed everything in me. And this piece transformed me more than any other one before. I saw my entire life differently. What do I have to do? What is my passion on this planet? I'm much more focused than I ever was before.

When I was young, I couldn't think about ballet because I had to focus on my own field. But once you secure your own performance area, you can indulge yourself in different territories. Fashion is one. And ballet is absolutely a fantasy, because it deals with the bodies in a different way.

To me the pain and the blood are merely means of artistic expression.

To control the breathing is to control the mind. With different patterns of breathing, you can fall in love, you can hate someone, you can feel the whole spectrum of feelings just by changing your breathing.