I hate studio. For me, studio is a trap to overproduce and repeat yourself. It is a habit that leads to art pollution.

The function of the artist in a disturbed society is to give awareness of the universe, to ask the right questions, and to elevate the mind.

If you're a woman, it's almost impossible to establish a relationship. You're too much for everybody. It's too much. The woman always has to play this role of being fragile and dependent. And if you're not, they're fascinated by you, but only for a little while. And then they want to change you and crush you. And then they leave.

I had such an intense relationship to every person. I still see people on the street and we lock eyes, and say "Oh my god!" and we just kiss and stay like that and sometimes cry.

We are always in the space in-between... all the spaces where you are not actually at home. You haven't arrived yet.... This is where our mind is the most open. We are alert, we are sensitive, and destiny can happen. We do not have any barriers and we are vulnerable. Vulnerability is important. It means we are completely alive and this is an extremely important space. This is for me the space from which my work generates.

My work is immaterial. It's not painting, it's not sculpture, it's emotions. I'm giving you something to experience yourself.

When I did "Seven Easy Pieces," I actually re-performed the performances of other artists. It was such difficult work because I had to really go through the documentation, look through the sources, to ask the witnesses who saw it.