My new work deals with emptying my body: 'Boat emptying, stream entering.' This means that you have to empty the body/boat to the point where you can really be connected with the fields of energy around you. I think that men and women in our Western culture are completely disconnected from that energy, and in my new work I want to make this connection possible.

I hate repetition. Even when I am home and have to buy milk, I go a different way each time to avoid having a habit of anything. Habits are really bad. So to me it is really important to live in what I call the spaces in-between. Bus stations, trains, taxis or waiting rooms in airports are the best places because you are open to destiny, you are open to everything and anything can happen.

For me, the most difficult piece is the one I'm about to make.

Because of technology, we don't develop telepathy. We don't use telepathy, but use, you know, the mobile phones. Why?

I notice if I'm too fat or if I'm too ugly or there's skin hanging or whatever. When my clothes start not fitting, I get really self-conscious about what I eat.

Theatre is fake... The knife is not real, the blood is not real, and the emotions are not real. Performance is just the opposite: the knife is real, the blood is real, and the emotions are real.

In every culture, [there are those] shamans or medicine men who endured incredible physical pain, because it's a door opening to the subconsciousness. And the way we can actually control the pain -- it's how to control everything. This is the key.