I guess my work is described a lot of the time as very sensual and sexy. When I take a picture, I'm very focused on trying to discover something about a person. Or about an idea. I try to be quite successful at it.

My work was my life, and my life was my work, and there was a kind of blur between reality and what was being created.

I want to let [my photographs] be something that comes from the model in her own way. I don't want to take the models too much out of their own skin. I realized that I wanted to create a marriage between who the person was, the nature, the beauty in the figure, and how the models sat or posed themselves.

I've had moments where I've felt like I was on another planet because I saw something beautiful. To me, taking pictures is being alive.

I'm pretty open. I'm not afraid of men. I'm not afraid of women. I'm not afraid of sex and sexuality. It's part of me, and it comes out in the photograph. It's as if at that moment when I'm taking pictures, I'm not a man and I'm not a woman. If I see a moment that seems true to me, that seems honest, whether it's female or male, it's part of me as well.

I try not to let the material aspects of different cultures distract me from getting to the essence of the person I'm photographing. Whether it's a man or a woman. Wherever they're from, I try not to let social status or cultural background affect me or affect the person. I strip all those things away to get down to the essence of the human being, the person.

...you don't need to be technically great, because if you have a strong philosophy people will be moved by your pictures regardless.