I was born in Paris and raised in the suburbs and then lived in the countryside.

I'm not a real musician. If you give me a bass guitar and you ask me to improvise something, or even be with some musicians and follow them, I wouldn't be able to do it. And I want to change that. I want to be able to be in a group and take my guitar and play with them, without someone showing me, "Okay, you're going to do this and that," because music has always been a big part of my life.

When you see yourself on video, you and your friends spending time on vacation, and they take a video, and then you see it, it's really disturbing.

I love to work this way - I love the time of preparation. If you feed yourself with all the information and you get to understand who the character is then you can really be her.

For me, what Macbeth is about is people who cannot face their fears and pain and instead of facing them and going beyond, they just run away and they try to cover this with power and violence, but it doesn't work.

I'll never approach a part in the same way again. Piaf taught me so much. In terms of my work, I think I'll enjoy it even more than before, because now I know that characters truly exist in their own right. I'll have a way to bring them even more intensely to life.

I think that when you don't see the boundaries, you cross them without even knowing they exist in the first place.