Here and gone. That’s what it is to be human, I think—to be both someone and no one at once, to hold a particular identity in the world (our names, our place of origins, our family and affectional ties) and to feel that solid set of ties also capable of dissolution, slipping away, as we become moments of attention.

...in the face of all dangers, in what may seem a godless region, we move forward through the agencies of love and art.

Poetry is an investigation, not an expression, of what you know.

I want what everybody wants, that's how I know I'm still breathing.

It's unsettling, to lose the safety of the familiar, even when what's disrupted is an ordinary routine. When I began this poem, I was grieving for the loss of my old barbershop in Manhattan, and wondering at the strangeness of my new one. I didn't have any idea the poem would break into the underworld, opening a deeper subject: the continuing force of the old griefs routine helps to mediate, and my strange, sheer wonder at my own survival. Where's home now? In the contingent present, in which anything can disappear, and where we're sometimes granted some form of grace.

What is healing, but a shift in perspectives?

No such thing, the queen said, as too many sequins.