We're just gonna keep making things and challenging ourselves to make them more cheaply and more renegade and more interesting. That's the only thing we might challenge ourselves to do in the age of so many movies and so many TV shows. We're aware that we're asking time of people to watch stuff, and that there's so much stuff to watch, so we're gonna try to offer you something unique. And it may not always succeed, but it will definitely be different.

If we have anything to offer, as filmmakers and as TV makers now, it's this ability to feel as close to a documentary as you can get in a narrative form.

We've done things that are faster at times, but it's definitely different when we direct all the episodes because it's like we have to write them all, then shoot them all, then edit them all. So we have to just get ahead on those scripts basically.

A lot of it is found in the editing room and part of that is due to some of the improvisational tactics we employ on set. Part of it is that the shot goes a little bit long and they end up coming down to fit time.

A lot of solo directors have a really strong creative producer with them. Jay and I have less of a need for that because we have each other.

I have a Google alert for myself - it's pure vanity.

As an actor, when you walk into a room to audition, you get five minutes with a casting director, who doesn't even look at you, most of the time.