A lot of solo directors have a really strong creative producer with them. Jay and I have less of a need for that because we have each other.

We get to get into the nitty-gritty and the minutiae of the way they relate now, and that's really valuable. We just have to make sure we don't repeat ourselves and we plot this thing so it doesn't dead end too much, and so that's the challenge really. It's like, how do you keep those balls in the air and make it exciting still?

It's not so much less pressure, it's less work, which is really exciting to me. I'm just personally looking forward to being able to spend a little more time doing different things, so that's really great. Jay and I are writing a book this year which is really fun and so yeah, I am very excited to spend less crazy 12-hour days on set. Those were taxing times.

Making movies that are really cheap and that can be owned and that you maintain your control of is really exciting.

I am not afraid to admit, though slightly ashamed that I Google myself and I see people writing things about me and I get really proud and happy.

Somewhere in Time is in the top-five cheesiest movies ever made. Its super melodrama.

I have a Google alert for myself - it's pure vanity.