My favorite thing to do is put my headphones on and cruise around the old neighborhoods.

If we have anything to offer, as filmmakers and as TV makers now, it's this ability to feel as close to a documentary as you can get in a narrative form.

We get to get into the nitty-gritty and the minutiae of the way they relate now, and that's really valuable. We just have to make sure we don't repeat ourselves and we plot this thing so it doesn't dead end too much, and so that's the challenge really. It's like, how do you keep those balls in the air and make it exciting still?

No one can stop you from doing exactly what you want to do. If you can accept that the cavalry won't come, and if you can be the cavalry, it gives you a chance to be happy.

You know, I watched the original 'Same Time, Next Year' on DVD about ten times this year, and I cried all ten times.

Everyone is having this experience right now, where your friend comes over and says, "Have you seen this?" And you're like, "No! Get off my back!" I can't watch everything, it's impossible. We have young kids, and we stay home on Friday nights, sometimes, you only have 23 minutes to watch something. This is that thing.

I'll do any kind of movie, as long as it's a good version of it.