My favorite thing to do is put my headphones on and cruise around the old neighborhoods.

I'm a narrative-minded actor. I'm thinking of the story. I'm not worried about whether the camera is on the right side of my face, or where the camera is. I'm just going for the story.

"Repulsion" for me was a really big movie where I was like, "OK, technically there's nothing scary going on here but I'm kind of terrified." Something so tiny was devolving this whole world. I guess I've always been obsessed with what I call the "epically small" in cinema, and that's how one tiny, little weird thing can just explode everything.

I like being nostalgic and maybe crying a little bit.

I mean, it really has a lot to do with who is actually physically doing a lot of talking. And we've just noticed that as we've evolved we're still making all the decisions from this, like, "cave."

I really believe in constantly trying to find and support new ways of watching independent art, because the old ways are not working as well.

My favorite thing to do is put my headphones on and cruise around the old neighborhoods.