You know, I watched the original 'Same Time, Next Year' on DVD about ten times this year, and I cried all ten times.

I have family, I work with a lot of friends, but you'll never find me saying, "Hey, let's get a drink at 8:30 [pm]."

My wife and I have been together for many years and that, to me, is like endlessly fascinating and endlessly confusing how to sustain all of the excitement from the front of our relationship, valuing that versus the comfort and knowing that she knows all of my flaws and still loves me. It's great, but certainly not as exciting as it was day one.

Making movies that are really cheap and that can be owned and that you maintain your control of is really exciting.

I really believe in constantly trying to find and support new ways of watching independent art, because the old ways are not working as well.

We always joke now like, you know, the more experienced we get making stuff, we're like, "Never leave set without a shot of each of our lead characters driving in the car looking happy, looking moderately blank and looking sad." Because we know we're going to need these things.

Jay [Duplass] and I normally just sit around and people watch, and we talk about things that are happening in our lives, or with people that we've met. That's the soup from which our movies usually come from.