I really believe in constantly trying to find and support new ways of watching independent art, because the old ways are not working as well.

We get to get into the nitty-gritty and the minutiae of the way they relate now, and that's really valuable. We just have to make sure we don't repeat ourselves and we plot this thing so it doesn't dead end too much, and so that's the challenge really. It's like, how do you keep those balls in the air and make it exciting still?

I mean, it really has a lot to do with who is actually physically doing a lot of talking. And we've just noticed that as we've evolved we're still making all the decisions from this, like, "cave."

I have a Google alert for myself - it's pure vanity.

When you're writing a 25-minute episode that can be anything, sometimes you just start with a character, and you let them walk into the room. Then you let your instinct guide you. That's how we made art when we were 15 years old. And that's so fun to us.

A lot of solo directors have a really strong creative producer with them. Jay and I have less of a need for that because we have each other.

Jay [Duplass] and I normally just sit around and people watch, and we talk about things that are happening in our lives, or with people that we've met. That's the soup from which our movies usually come from.