Somewhere in Time is in the top-five cheesiest movies ever made. Its super melodrama.

"Repulsion" for me was a really big movie where I was like, "OK, technically there's nothing scary going on here but I'm kind of terrified." Something so tiny was devolving this whole world. I guess I've always been obsessed with what I call the "epically small" in cinema, and that's how one tiny, little weird thing can just explode everything.

Just being able to make exactly what I want with my brother and a lot of my best friend and to have a place like HBO that not only lets you do that, but supports you and puts up billboards in support of it, and really puts it out there for you. That's not something I get a lot in the independent film world where everybody's pinching pennies and nervous about whether it's going to make money or not.

A lot of solo directors have a really strong creative producer with them. Jay and I have less of a need for that because we have each other.

Everyone is having this experience right now, where your friend comes over and says, "Have you seen this?" And you're like, "No! Get off my back!" I can't watch everything, it's impossible. We have young kids, and we stay home on Friday nights, sometimes, you only have 23 minutes to watch something. This is that thing.

If anybody normally has a 45 minute conference call about something, I'm 15 minutes late and then I'm out 15 minutes before everybody else, and I cut to the key information and I move on. I learned that from my dad and guys like Jason Blum, who know how to do that.

I have family, I work with a lot of friends, but you'll never find me saying, "Hey, let's get a drink at 8:30 [pm]."