I question every move. I'm constantly second-guessing myself.

It's not so much less pressure, it's less work, which is really exciting to me. I'm just personally looking forward to being able to spend a little more time doing different things, so that's really great. Jay and I are writing a book this year which is really fun and so yeah, I am very excited to spend less crazy 12-hour days on set. Those were taxing times.

No one can stop you from doing exactly what you want to do. If you can accept that the cavalry won't come, and if you can be the cavalry, it gives you a chance to be happy.

I'm a narrative-minded actor. I'm thinking of the story. I'm not worried about whether the camera is on the right side of my face, or where the camera is. I'm just going for the story.

We work in this cave, and we speak to each other sort of subconsciously and with like, weird cues and tangential brother speak, but it really comes down to if you are the person who is moving amongst the actors and talking to people more, the other one can have a little more time to really watch.

You know, I watched the original 'Same Time, Next Year' on DVD about ten times this year, and I cried all ten times.

I'm pretty unfussy when it comes to what a TV show should be, or what a movie should be. A lot of people are trying to maintain the theatrical experience for films. That's not really who we are or what we're about. We come from this fundamental understanding that we're just blessed that someone is giving us any money to make something in this town.