It's kinda crazy to say, but the way Jay [Duplass] and I stay afloat, because we don't make particularly commercial fare that makes a lot of money, is that we make things cheaply and we make things small. We would kind of be afraid to go make a $100 million movie because you have to do certain things to it to have it make its money back.

I have a Google alert for myself - it's pure vanity.

If we have anything to offer, as filmmakers and as TV makers now, it's this ability to feel as close to a documentary as you can get in a narrative form.

My favorite thing to do is put my headphones on and cruise around the old neighborhoods.

We work in this cave, and we speak to each other sort of subconsciously and with like, weird cues and tangential brother speak, but it really comes down to if you are the person who is moving amongst the actors and talking to people more, the other one can have a little more time to really watch.

I question every move. I'm constantly second-guessing myself.

When you're improvising, it's fun to find something that you can lean on that is similar to your life experience. In my opinion, that's very helpful.