I have family, I work with a lot of friends, but you'll never find me saying, "Hey, let's get a drink at 8:30 [pm]."

When you're writing a 25-minute episode that can be anything, sometimes you just start with a character, and you let them walk into the room. Then you let your instinct guide you. That's how we made art when we were 15 years old. And that's so fun to us.

Everyone is having this experience right now, where your friend comes over and says, "Have you seen this?" And you're like, "No! Get off my back!" I can't watch everything, it's impossible. We have young kids, and we stay home on Friday nights, sometimes, you only have 23 minutes to watch something. This is that thing.

Somewhere in Time is in the top-five cheesiest movies ever made. Its super melodrama.

For us, performance is everything. If we can get great actors in there who like us, and we really like, we feel pretty confident that we can make a movie work.

If anybody normally has a 45 minute conference call about something, I'm 15 minutes late and then I'm out 15 minutes before everybody else, and I cut to the key information and I move on. I learned that from my dad and guys like Jason Blum, who know how to do that.

We've shot with babies and kids and it was tough. It's not easy. It looks tangential, but it is not.