If anybody normally has a 45 minute conference call about something, I'm 15 minutes late and then I'm out 15 minutes before everybody else, and I cut to the key information and I move on. I learned that from my dad and guys like Jason Blum, who know how to do that.

When you're writing a 25-minute episode that can be anything, sometimes you just start with a character, and you let them walk into the room. Then you let your instinct guide you. That's how we made art when we were 15 years old. And that's so fun to us.

We work in this cave, and we speak to each other sort of subconsciously and with like, weird cues and tangential brother speak, but it really comes down to if you are the person who is moving amongst the actors and talking to people more, the other one can have a little more time to really watch.

And, there are negatives and positives to it. Like, you know, just like a marriage, where you're like, "Well, this... you know, is the sex still as exciting as it was two years ago?"

When the initial little impulse comes it just tends to come. I wake up in the middle of the night, or I'll be swimming in the pool with my kids and just think, "Can't forget that one." Then there's the more organized side of the brain, which is when I choose to work on them. I've learned through a bunch of mentors how to demarcate the different times for your writing process. I keep multiple projects going at once and there's a time when no matter what you're doing, you have to stop and write it because it's coming.

No one can stop you from doing exactly what you want to do. If you can accept that the cavalry won't come, and if you can be the cavalry, it gives you a chance to be happy.

I am not afraid to admit, though slightly ashamed that I Google myself and I see people writing things about me and I get really proud and happy.