When you say 'comic book' in America, people think of Mickey Mouse, and Archie. It has a connotation of juvenile.

With voice acting, it liberates you to play characters you'd never do in a million years because you're physically not right. You can show up looking like hell, you don't have to memorize your lines because you can read them right off the page, and you get to play the most fun parts. You come in and you kick everyone's ass and you get your own ass kicked, and then you go home.

A cartoonist creates his whole universe without any input.

One of the things that I love about voiceover is that it's a situation where - because you're not encumbered by being seen - it's liberating. You're able to make broad choices that you would never make if you were on camera.

I can't tell you how much we laughed on the set to have Alec Guinness in a scene with a big, furry dog that's flying a space ship.

I have failed 'Star Wars' trivia tests. People come up to me at conventions and use terms that I've never heard of.

I think 'Comic Book: The Movie' is the apex of my career in terms of making a personal statement that has significance to me and resonates with biographical detail about not only my career, but all the people that I've worked with in my career. All of it's riddled, on- and off-camera, with people I've known and worked with for decades.