I will say that comic books are not the easiest things to translate to film, number one. Even the most well meaning of filmmakers find what's acceptable on the printed page is very difficult to bring to film.

One of the things that I love about voiceover is that it's a situation where - because you're not encumbered by being seen - it's liberating. You're able to make broad choices that you would never make if you were on camera.

George [Lucas] wanted to know whether we'd be interested. He did say that if we didn't want to do it, they wouldn't cast another actor in our parts - they would write us out.

A cartoonist creates his whole universe without any input.

I love the fact that, one time, my face was on the back of a cereal box - probably 3-CPO's - and it was a mask where you cut out the eye holes and put a string through the side. It makes me feel like I'm 11 years old all over again.

In high school, I had to hide my comic book side, my nerd side from the civilian world so they wouldn't categorize me. They would try to marginalize me for what I like. I tried to give it up, believe me. I tried to kick the habit. But there's too much I liked about it to give it up completely.

So much of life is what you roll and where you land.