A wedding is at once a crowded place and a private room, packed with trusts and empty of all but the heart's letters which one other heart may read and decipher.

The nation as the horizon of an identity that you want to come into being as a fundamental absence of something that is compromised, something that needs to be rescued or made - these matters preoccupy the third world writer. It is seductive for a Marxist understanding of literary practice and production in the sense that it says that material culture determines literary output.

A wedding is earth and water and a species of irreducible light and the flat belly of a harbor and a mango about to ripen and fall into gravity's caress and the waves subsiding and resuming their concerto in a minor key and the rush hour canceled by the stun of auspicious beginnings.

Making of poetry, music, dance and art as culture-making in the service of nation-making. You can find writings that make that purpose for art quite explicit.

Anyway, culture and nation are partners, inextricable from each other. National culture and nation, they are reciprocities.

A wedding is at once a crowded place and a private room, packed with trusts and empty of all but the heart's letters which one other heart may read and decipher.

There's a champion in all of us, it's how you choose to find it.