A wedding is at once a crowded place and a private room, packed with trusts and empty of all but the heart's letters which one other heart may read and decipher.

The nation as the horizon of an identity that you want to come into being as a fundamental absence of something that is compromised, something that needs to be rescued or made - these matters preoccupy the third world writer. It is seductive for a Marxist understanding of literary practice and production in the sense that it says that material culture determines literary output.

The best thing you can do is to keep riding your snowboard and love what you're doing. Without a passion for the sport it's difficult to take your riding to the next level.

A wedding is at once a crowded place and a private room, packed with trusts and empty of all but the heart's letters which one other heart may read and decipher.

Snowboarding allows you to create your own path, and for me it was awesome because no one was telling me what to do. I could go out on the mountain and try new things and learn for myself.

Anyway, culture and nation are partners, inextricable from each other. National culture and nation, they are reciprocities.

A wedding is earth and water and a species of irreducible light and the flat belly of a harbor and a mango about to ripen and fall into gravity's caress and the waves subsiding and resuming their concerto in a minor key and the rush hour canceled by the stun of auspicious beginnings.