Anyway, culture and nation are partners, inextricable from each other. National culture and nation, they are reciprocities.

There's a champion in all of us, it's how you choose to find it.

Stay excited and stay humble and good things will come.

A wedding is at once a crowded place and a private room, packed with trusts and empty of all but the heart's letters which one other heart may read and decipher.

The nation as the horizon of an identity that you want to come into being as a fundamental absence of something that is compromised, something that needs to be rescued or made - these matters preoccupy the third world writer. It is seductive for a Marxist understanding of literary practice and production in the sense that it says that material culture determines literary output.

The best thing you can do is to keep riding your snowboard and love what you're doing. Without a passion for the sport it's difficult to take your riding to the next level.

All third world literature is about nation, that identity is the fundamental literary problem in the third world. The writer's identity is insecure because the nation's identity is not secure. The nation doesn't provide the third world writer with a secure identity, because the nation is colonized, it's oppressed, it's part of somebody else's empire.