This is the fourth movie that I've done with this set of director-writers and I've learned to trust them at this point, because actually I started on Lego before they did.

If you're in music just to become a big, fat rock star, then I probably don't like your music to begin with.

What makes games so exciting is that's a whole other- there's all sorts of other considerations on what music is supposed to achieve and what you're attempting to support, it's not uncommon to think of your music and to think of the way your orchestra plays for something like Jack and Daxter where you start with- you know because it has to change tempo and intensity as the action gets more intense.

I've worked with a lot of directors, some of them you wouldn't really attach the word 'artist' to their name.

Lego was our fourth film, because we did two Cloudys, so yeah there's a little bit of shorthand that's involved and then you can anticipate things- because for me it's like, I get a script for a movie and I go, "Wow that's a pretty good script", then you sign on and a couple months later they show you the first cut and you're like, "Whoa, how did that happen?"

Rebellion is obsolete - change things from the inside working out.

Technology has taken its toll on albums in a tough way. The CD format and MTV really played havoc on artists.