When I was a kid, I would go to the record store, where there was a bin of things they didn't know quite how to classify. Those were my choices. That's where you would find Captain Beefheart or an early electronic album.

I went to Kent State basically to avoid going to Vietnam, I had no idea what I was doing in the world. I was lost, and trying not to get into a fight every day.

The stories I write are often literal to events that have happened or observations that I've made, and sometimes they're fantastical.

Before MTV, if you put out an album that sold 50,000 copies, your band could afford not to have day jobs for a while. That meant you could stick around, put out another album or two. Maybe it would be the second or third album where you'd make the statement you'd been trying to make all along.

I think somewhere around high school, your brain starts to gel, to harden. Before that, there’s this time where anything is possible and the more things that you artistically and educationally have in your repertoire, the more you become a child of larger possibilities.

I write all the time. I do artwork that's part of a diary, and I write short stories to go with them pretty much every day.

When I'm writing a theme song for a TV show I always think, "What would be Pavlovian where a kid would be in the kitchen, or an adult would be in the kitchen, and they hear the theme song come on and it would draw them back to the other room so that they would watch the show?"