I really love something about being around the recording studios - you know, like, those days in the '80s they'd be, like, in the studio 'til 4, 5, 6 in the morning working on these songs.

I remember that the bass was turned up slightly more on the mix from last week, and I thought that was good - or whatever. Like, there were some little things in there that he said that he came to, like, really enjoy my opinion or at least, like, my little comments on the songs. So I was kind of destined to probably be a studio rat.

I think Katy B encapsulates young London in a way I never could. She reps London harder than anyone song-wise since Lily Allen.

I rarely ever respond to misquotes and wrong information. Plus, it only serves to bring attention to the matter.

I didn't really get that good at cutting because I didn't have those three years of gestating and nurturing my skills in the bedroom. I was kind of, like, out and playing in clubs after three of four months, because I was pushy with promoters. But I would just listen to the radio - Stretch Armstrong and Red Alert - and then I would go hang out with Mayhem, who did the WNYU hip-hop show.

DJing is an art that I have the utmost respect for, and I've been practising it since I was 17 years old. Doing Tom Cruise wedding-type things becomes the focal point of every interview, and you realize that you have to cut it out if you don't want to be answering questions about that.

I guess the best thing about having a successful record like this is, like, I know I'm at least good for another five years, like, before everyone starts to like - all the haters start to come out again. And that's really what it is.