Stevie Wonder doing 'We Can Work It Out' by the Beatles is one of my favorite records of all time.

You know, that was the first time [with Any Winehouse] that I probably ever used a baritone sax. And it's certainly the texture that, you know - it's all over the record 'cause it's a nice compliment to her tone.

Making music is a lifestyle; go to the studio and sit in front of your computer, drum machine or guitar for 10 hours a day. The good stuff will come.

I think Katy B encapsulates young London in a way I never could. She reps London harder than anyone song-wise since Lily Allen.

I rarely ever respond to misquotes and wrong information. Plus, it only serves to bring attention to the matter.

I didn't really get that good at cutting because I didn't have those three years of gestating and nurturing my skills in the bedroom. I was kind of, like, out and playing in clubs after three of four months, because I was pushy with promoters. But I would just listen to the radio - Stretch Armstrong and Red Alert - and then I would go hang out with Mayhem, who did the WNYU hip-hop show.

I remember that the bass was turned up slightly more on the mix from last week, and I thought that was good - or whatever. Like, there were some little things in there that he said that he came to, like, really enjoy my opinion or at least, like, my little comments on the songs. So I was kind of destined to probably be a studio rat.