It's like every time you have one of these, you're sort of - your lease is renewed another five years. And that's kind of great for me 'cause that's all I really want to be doing still at this point, like just making records and getting to work with, like, artists that I think are exciting.

You know, that was the first time [with Any Winehouse] that I probably ever used a baritone sax. And it's certainly the texture that, you know - it's all over the record 'cause it's a nice compliment to her tone.

And then, also, when you're doing something that doesn't sound like anything else on the radio at the time, you almost need to, like, ironclad it to make sure it gets through, you know?

I don't have a crazy rider clause saying I have to stay at fancy hotels. I don't have a problem with staying at a Marriott. But I will admit that I've gotten just basic, regular service there.

You know, it's weird. It's - it hasn't really changed my life in any kind of way that I can measure. I mean, it's obviously such an insanely amazing thing. You know, none of my other records I've ever had before even broke into the top 100.

I didn't start making music in order to be famous.

Stevie Wonder doing 'We Can Work It Out' by the Beatles is one of my favorite records of all time.