There is more power in telling little than in telling all.

Look, it's my misery that I have to paint this kind of painting, it's your misery that you have to love it, and the price of the misery is thirteen hundred and fifty dollars.

(I am) dealing not with the particular anecdote, but rather with the Spirit of Myth, which is generic to all myths at all times.

The most interesting painting is one that expresses more of what one thinks than of what one sees

I use colors that have already been experienced through the light of day and through the state of mind of the total man. In other words, my colors are not colors that are laboratory tools which are isolated from all accidentals or impurities so that they have a specified identity or purity.

The abstract artist has given material existence to many unseen worlds and tempi.

There is more power in telling little than in telling all.