I'm very organized and tidy in my home life and I generally do something myself rather than farm it out to somebody else. I don't have an assistant or anything because I think I can do it myself.

If you think about Shakespeare, you remember Richard III and Macbeth before you remember Ferdinand, whose role is just to fall in love and be a bit of a wimp. I love the baddies. More important, though, is making the baddies somehow, weirdly, understood.

You need to try to find a way to humanize your villains. Genuine villains, in real life, still have mothers and daughters and sisters, and they fall in love. They don't walk around with a big sign saying, "Bad guy," on their head. They think they're good guys. If you can play that, I think it makes it more interesting.

I think it serves the purpose of the film if the premise is that you're unsure of me because you've only ever really seen me play villains.

[Before I Go To Sleep] script was a great journey with all the twists and turns that were kind of unexpected. I had to finish the script, and I thought if we can emulate this in the film, it's going to be a really good film.

Rowan Joffe is very specific. I mean, he wrote it as well and he has a very orderly writer's mind and the same applies to his directing.

I'm not a writer, inherently. Most of the writers I've met have stories they need to tell. I don't have that. I'm an interpreter. I like getting a script, seeing a character and thinking, "Oh, wow, I know what I can do with that."