I got sent the script [ Before I Go To Sleep] as usually happens and you have a little look. I know it's a bit of a cliché, but it was absolutely a page turner. I mean, I wanted to find out what happened next.

In the past, if I didn't work, I didn't eat but now I feel I can not work and I won't starve.

I just invited close friends and family, the usual suspects whose opinion I value but who I know will enjoy the film [Before I Go To Sleep]. I don't know how difficult it is for them to suspend their disbelief because they obviously know me and what they're seeing is not me.

Interestingly, this character [Doctor Nash] is probably closer to me than somebody like the evil Sir Godfrey in Robin Hood or Lord Blackwood who wants to take over the world in Sherlock Holmes. This is a character that's English, he's based in London, and so it's closer to me than a lot of stuff I've been doing recently.

The important bit for an actor is the actual shooting of it, because the minute the shoot ends, it's got nothing to do with you anymore.

I just like voicing films in general. I do a lot of documentary work and it's a short hop really to narrating a character, especially if you're on film and you're there in a visual way. It sounds obvious, but voicing an animation really focuses you on the way that you're communicating through your voice. It's a very specific ability that you need to be able to have in order to pitch it just right.

The idea of transformation - playing something I'm not - is the bit I enjoy most about acting.