You need to try to find a way to humanize your villains. Genuine villains, in real life, still have mothers and daughters and sisters, and they fall in love. They don't walk around with a big sign saying, "Bad guy," on their head. They think they're good guys. If you can play that, I think it makes it more interesting.

In the past, if I didn't work, I didn't eat but now I feel I can not work and I won't starve.

[Before I Go To Sleep] script was a great journey with all the twists and turns that were kind of unexpected. I had to finish the script, and I thought if we can emulate this in the film, it's going to be a really good film.

All these portrayals we see of knights fighting must be absolute rubbish because knights in armour could literally have only had two or three blows and then they'd have had to sit down to have a cup of tea.

When you're making a psychological thriller, what you need to do is have an audience on shifting sand so they're never quite sure where they are.

I'm sure part of the baggage that I bring having played a lot of villains is also pertinent to the movie [Before I Go To Sleep], because I'm sure people look at me and think, "Oh, I'm not sure I trust him or not."

Rowan Joffe is very specific. I mean, he wrote it as well and he has a very orderly writer's mind and the same applies to his directing.