You may have noticed that the less I know about a subject the more confidence I have, and the more new light I throw on it.

He is useless on top of the ground; he ought to be under it, inspiring the cabbages.

Buy land, they're not making it anymore.

I notice that you use plain, simple language, short words and brief sentences. That is the way to write English - it is the modern way and the best way. Stick to it; don't let fluff and flowers and verbosity creep in.

In writing, I shall always confine myself strictly to the truth, except when it is attended with inconvenience.

Written things are not for speech; their form is literary; they are stiff, inflexible, and will not lend themselves to happy and effective delivery with the tongue-where their purpose is to merely entertain, not instruct; they have to be limbered up, broken up, colloquialized and turned into common forms of premeditated talk-otherwise they will bore the house and not entertain it.

That is an editor. He is trying to think of a word. He props his feet on a chair, which is the editor's way; then he can think better. I do not care much for this one; his ears are not alike; still, editor suggests the sound of Edward, and he will do. I could make him better if I had a model, but I made this one from memory. But is no particular matter; they all look alike, anyway. They are conceited and troublesome, and don't pay enough.