She was battered and beaten up, and not smiling this time. Liesel could see it on her face. Blood leaked from her nose and licked at her lips. Her eyes had blackened. Cuts had opened up and a series of wounds were rising to the surface of her skin. All from the words. From Liesel's words.

Have faith, Ed, all right?' I search the coffee mug, but there's none in there.

It's not a big thing, but I guess it's true--big things are often just small things that are noticed.

I think, as the writer, you're always going to mourn something [left out of a film]. But you also just want to know there's a good reason for it being left out. On the whole, you want to give something to somebody creative. The worst thing you can do is say, "Here, be creative, but do it like I want you to do it." I was always very mindful of that.

I procrastinate in spades. In my defence, I also try to have all other distractions solved before I can concentrate on writing. My small theory is that to write for three hours, you need to feel like you have three days. To write for three days, you need to feel like you've got three weeks, and so on.

Sometimes you read a book so special that you want to carry it around with you for months after you've finished just to stay near it.

Sometimes I think my papa is an accordion. When he looks at me and smiles and breathes, I hear the notes.