When I was growing up, I wanted to be a house painter like my father, but I was always screwing up when I went to work with him. I had a talent for knocking over paint and painting myself into corners. I also realized fairly quickly that painting bored me.

When I find research really rewarding is when one piece of information gives you an idea for a story. That's when it's great.

Warily, she dares to allow me a smile. "It's okay. It's just...I'm not too good at talking to people." She looks away again as her shyness smothers her. "So, do you think it'd be all right if we don't talk?

After another ten minutes, the gates of thievery would open just a crack, and Liesel Meminger would widen them a little further and squeeze through. ***TWO QUESTIONS*** Would the gates shut behind her? Or would they have the goodwill to let her back out? As Liesel would discover, a good thief requires many things. Stealth. Nerve. Speed. More important than any of those things, however, was one final requirement. Luck. Actually. Forget the ten minutes. The gates open now.

I thought what if death is more like thinking, well, war is like the boss at your shoulder, constantly wanting more, wanting more, wanting more, and then that gave me the idea that Death is weary, he's fatigued, and he's haunted by what he sees humans do to each other because he's on hand for all of our great miseries.

You ever hear a dog cry, Steve? You know, howling so loud it's almost unbearable?' He nodded. 'I reckon they howl like that because they're so hungry it hurts, and that's what I feel in me every day of my life. I'm so hungry to be somethin' - to be somebody. You hear me?' He did. 'I'm not lyin' down ever. Not for you. Not for anyone.' I ended it. 'I'm hungry, Steve.' Sometimes I think they're the best words I've ever said. 'I'm hungry.

When I recollect her, I see a long list of colors, but it's the three in which I saw her in the flesh that resonate the most. Sometimes I manage to float far above those three moments. I hang suspended, until a septic truth bleeds toward clarity. That's when I see them formulate: THE COLORS RED: [rectangle] WHITE: [circle] BLACK: [swastika] They fall on top of each other. The scribbled signature black, onto the blinding global white, onto the thick soupy red.